So I’ve been pondering a lot on the fact that Bono has called Songs of Innocence a personal album. Here he is in Rolling Stone last week:
“We wanted to make a very personal album,” Bono told Rolling Stone‘s Gus Wenner the day before the press conference in an exclusive interview. “Let’s try to figure out why we wanted to be in a band, the relationships around the band, our friendships, our lovers, our family. The whole album is first journeys — first journeys geographically, spiritually, sexually. And that’s hard. But we went there.”
To be opaque is to be beguiling, provocative. You need to be hooked, of course. But once I’m hooked, I never want everything on a plate. I want to be made to work a little. It is one of the most compelling things about U2’s songs. Read more
I guess being a U2 devotee is a bit like supporting a top-flight football team. You can’t wait for their next match, and yet there’s always a sense of dread that it won’t come to much. The rumours about a new album(s) have been circulating for years. And then suddenly, there it was. Already in iTunes playlists, without any warning. How bizarre is that?! Nothing if not bold, and perhaps mildly megalomaniacal. The Bono-haters will certainly think so. Read more
Dan at Redeeming Sound asked me to write something for his blog. So naturally, I decided to write on U2… They’ve had a new album coming out any minute for years – latest is that it will be sometime this year… but they recorded a song for the soundtrack to the new Mandela movie starring Idris Elba: Ordinary Love Read more
Just back from doing the All Souls week away in Bath – my first major thing for work since I was off from 1st Jan. All seemed to go smoothly and happily, which was rather a relief for all concerned. The focus this year was the grace-freedom we have in Christ – which Paul expounds so superbly through Galatians Read more
While I was in the States at the end of last month, I had an afternoon to kill in Philadelphia. So the completely obvious thing to do was record another Q conversation. This time I sat down to chat with Ruth Naomi Floyd, whom I’d met at the European Leadership Conference in Hungary a few years ago. It’s available on iTunes podcasts, or if you prefer a direct feed, here on Jellycast.
They don’t make ‘em like this anymore. 3 entertainment heroes: Morecambe, Borge & Dawson, all passed on, but all wonderful in their different ways. And they had impeccable timing, comedic and musical.
Enjoy. Read more
It is rather a tired Christmas cliché for preachers to go on about how we need to get beyond the tinsel and trimmings to the heart of Christmas – but one that sadly needs repeating. And while I love what Christmas is all about it, perhaps even more now than ever, it is interesting how different aspects strike home amidst all the familiarity and form. There’s no predicting what it’s going to be, if anything. But this year, I’ve been struck by how often the tradition pierces through the vacuous, trite and superficially jolly to engage with even the deepest hurts and doubts. Read more
I’ve been spending quite a bit of time recently with a dear friend, Malcolm, who is dying of cancer. In fact, he has already lasted a lot longer than many predicted, despite not having eaten anything for several weeks. He has been an inspiration to me and others, and so have his family. He came home from the hospice a few weeks ago or so, and has been hanging in there. Most striking has been his resilient faith in the face of his inescapable mortality (about which we talk often). Which has inevitably got me reflecting on the subject further. Read more
I am SO grateful to Frankie who suggested I read William Styron‘s piercing and affecting ‘memoir of madness’, Darkness Visible. It was back in July that I ordered it, but only this last Saturday when I read it. It is brief – only 80 pages or so – but gripping. I read it one sitting. It felt like a compulsion – but I know that I will return to it, with greater patience and scrutiny. It was only published in 1990, but is now a classic of its kind. Deservedly. Read more
I would imagine that writing a novel that conveys the power of music is as difficult as writing a song about the spectacular beauty of an African sunrise, or painting the throbbing anguish of raw grief. But when one medium succeeds in conveying the reality of another, unexpectedly different experience, one’s admiration for (not to mention understanding of) both is profoundly deepened. So here are a few books which have helped me to marvel afresh at the wonderful, humanising effect of music. They underline the truth that music is one of the greatest gifts of common grace.
In their different ways, they resonate with that wonderful moment in Shawshank Redemption when the prison is stopped in its tracks by the ineffable beauty of Mozart played over the tannoy, not least because of Red’s (Morgan Freeman’s character) delightful description of it. Read more
It is not uncommon for Bono deliberately to blur distinctions in his lyrics and, especially, in his performances. A classic example comes in the song, Mysterious Ways – it sounds like a song about a girl. Mainly because it is a song about a girl. However, as I’ve explained elsewhere, there are clear theological allusions to God (not least because of its derivation from William Cowper’s great hymn). Read more
Every now and then a book comes along which demands serious attention. Ted Turnau’s Popologetics is just such a book. I should be up front at this stage and declare that he is a friend, so perhaps some will merely assume this is a question of mutual back-scratching. I can assure you it’s not (I’ve received no commissions… as yet). But still, this is a great book. For a whole range of reasons: it is very readable and lucid; it makes its case with wit and self-deprecating humour; it is a model of how to handle disagreement (theological and otherwise) with great grace and generosity; and it demonstrates extensive appreciation of the field and offers a rich mine of treasure to any reader. Read more
It was a joy to be able to spend a couple of hours with members of the CU at London’s University of the Arts on Thursday evening, giving a talk on this subject. Sarah Dargue has already done a really good job at summarising the key points over at the Interface Arts page (if you’re an arts student, definitely worth keeping an eye on that blog). But here is my talk outline, so that you can get some of the key quotes and references, plus my slides. Read more
There’s really no need to fret about the timing of Easter being the result of the co-option of a pagan Spring festival (as some think is the case). So what, to be honest. And in fact, there is something entirely appropriate about this. Why? Because Spring is an almost magical time of year, when life bursts from the ground in verdant greens and brilliant yellows. Such a relief after the stark and bleak beauty or gloom of winter. Being an urbanite, it’s far too easy to forget the wonder of the seasons. But I’ll never forget how much I missed the seasons during our years 30 miles north of the Equator in Kampala.
I’m sorry for being so rubbish at posting recently. There’s been lots in my head that I’d love to speak on but it’s been manic, what with Christmas and all (quite apart from recently Langham jollies in Athens and Sarajevo). But after getting back from Bosnia on Saturday, we started the annual decoration rituals… with a difference. Bonkers, I concede, but we decided to throw together a rather rough and ready stop-motion animation of the tree going up. Read more
We had a bit of an experiment on Sunday night at All Souls. Instead of the normal evening service, we had a condensed corporate time for around half an hour, and then split into 3 seminars in different venues. Prof John Wyatt did one on Truth in the Brave New World of medical ethics, Nola Leach of CARE did one on Truth in the Public Square and I did one on popculture. The whole thing worked really well and it seemed refreshing to do this sort of thing every now and then. Read more
I’d guess that only the most hardened petrol-heads and urbanites will fail to be moved to awestruck wonder by episodes in the BBC’s latest natural world epic, FROZEN PLANET. Quite apart from the stunning (ant)arctic panoramas, there are the focused dramas of a pack of killer whales harassing and (hours later) overwhelming a minke whale. Or comic moments, like the waddling penguins slipping on the ice, or the traffic jam of two narwhal clusters, equipped with their unicorn-like tusks and having to negotiate a head on meeting in a narrow, one-way only ice channel. Read more
I don’t cry in movies. Sometimes I’d quite like to. But that’s a different story. I just don’t. Usually. But one of the greatest films of recent years (and that is no hyperbole) made me weep: The Lives of Others. The scene in question is one that affected many other friends similarly. It is the moment when the Stasi agent, Gerd Wiesler, eavesdrops on the playwright Georg Dreyman playing a piano piece given to him by an old friend driven to suicide by being blackballed by the East German officialdom. Read more
It’s an ambiguous title. It can mean two very different things. Either I can’t stop myself (e.g.I have little self-control when it comes to resisting temptation, whatever that might be) or I can’t rescue myself (and I’m stuck). It seems to me that western culture is in denial about both. Control and autonomy are our post-Enlightenment mantras (in the name of personal freedom of course). And much to our frustration, neither are truly attainable. Read more