My mind is steeped in the mad and self-referential world of conspiracy theories at the moment, as I try to make a way through to something coherent. So this great cartoon from last week’s New Yorker nailed it for me.
The presenting issue behind the article was the hysteria whipped up against Obama’s healthcare proposals in the US – something which those of us with ‘socialised’, crypto-communist medicine in the UK find hard to understand. I do realise that many on the US right are no fools, that the British NHS is far from perfect, and that there may well be many good grounds for the position(s) they took. But that’s not my point here. My main concern is how politics (left and right) throughout the West now (has to) operates. This was the object of Jill Lepore’s New Yorker investigation a couple of weeks ago, The Lie Factory. Read more
I’d been vaguely aware of these from a while back, but had never looked carefully at them. It wasn’t until they were used as running gags in last week’s New Yorker money edition that I sat up and noticed. Dan Tague has created a series of prints in 2008 of dollar bills folded in such a way as to reveal all kinds of subversions of American capitalism and western materialism. There is something rather delicious about making a dollar spell out ‘American Idol’ or an American revolution battle cry, or the best advice of the contemporary conspiracy theorist.
Ingenious Read more
Reliable as ever, The New Yorker Cartoon production line has produced a few corkers recently.
Couldn’t resist these. Especially the killer paisley. I’m now on high alert for this hitherto unforeseen strain. Read more
Not quite sure what got me hooked on this New Yorker article (sadly the full article is behind a paywall), but I was gripped. Using linguistics to help solve crimes seems pretty counter-intuitive – but the Unabomber was caught by analysing his manifesto - as was Joyce Meyer security chief Chris Coleman who was found guilty of killing his family. Read more
Oops – I’ve not done a Friday Fun for a couple of months. Terribly sorry, dear reader. Anyway, here are a couple of perfectly formed little numbers from recent New Yorkers – including this very week’s edition – how up to date is that?!
Anyway, I’m sure we all need a bit of help with our relationships. Here’s a little nudge in the right direction for the cause of improved male-female communication…
Just read a spine-chiller in the latest New Yorker about PACs, SuperPACs and the growth industry that is behind political attack ads. Jane Mayer’s Attack Dog - The creator of the Willie Horton ad is going all out for Mitt Romney is depressing stuff. For the uninitiated, and unless you follow US politics closely, there’s no reason at all why you should be initiated, PACs are Political Action Committees. Read more
I don’t just read the New Yorker for the cartoons… honest.
Well… they are a big part of its joy… So here are a few recent gems… I especially liked the guy who always manages to get a train-seat. I’d only add that if you want a whole carriage to yourself (even during rush hour on the London underground) just wear a dog-collar.
That’ll get them fleeing for their lives. Read more
The US cop show has immersed us all into the clichés of American gun culture. It is one aspect of American life which most of us find hardest to comprehend (especially when it gets defended theologically by the Christian right – though if this is where you are coming from, please help us out here – I do want to understand how it can still be justified other than on purely pragmatic grounds). After all, in contrast to most police forces in the world (including across Europe), the British police do not carry guns while on normal duties. And I would argue that we are all much safer as a result. Read more
Any walk along the Thames Embankment or the South Bank is bound to conjure up memories and evocations. This ancient river is observed/guarded/ignored by countless buildings created at different moments in British history: the proceeds of empire and the fates of peoples are all reflected in their facades. I came across this wonderful poem by Daljit Nagra in the last New Yorker of July. And it captures it all perfectly, far more articulately than we non-poetically-gifted mortals could manage.
It is a truism to say that the media is influential in politics. But there is no doubting that its power to mesmerize and acclimatize contributed to Obama’s election. Having focused yesterday on the way in which Obama both innately and deliberately sought to build bridges across community divides and with historical landmarks (as described in David Remnick’s remarkable book The Bridge), I want to pick up on how he was able to surf the media’s wave all the way into Pennsylvania Avenue. Read more
If there is a point to Barack Obama becoming US President – and let’s face it, how can we ever reduce anyone’s life to having ‘a point’ – it is not his politics but his race. Race is what made his election seem so unthinkable, and yet, conversely, once he was the Democrat candidate, such a difficult opponent to beat in the 2008 election. And it is what will give him his enduring legacy (politics and 2nd term aside). Read more
Travelling somewhere always gives time for catching up on one of my favourite pastimes, New Yorker reading. A month ago there was a fascinating article about the neuroscientist, David Eagleman by Burkhard Bilger. Eagleman is the author Sum, one of most weirdly compelling books I’ve ever read. Read more
Here’s a couple of great, revealing, and on-the-ball cartoons from a recent New Yorker (18th April 2011). Fantastic, as ever. This time the genii responsible are Tom Cheney and Bruce Eric Kaplan. Read more
Another classic from last week’s New Yorker…