Review of U2’s NLOTH: GRACE BREAKS INTO A SOUND
I posted a number of spots soon after the U2’s recent album, NO LINE ON THE HORIZON, came out. Then the opportunity to do a more formal review for Damaris’ CultureWatch came up, but it has taken a while – both a combination of time pressures and the fact that i needed to live with it for a bit longer to get more of a sense of it. It’s definitely a less accessible album than some – and like it’s awesome predecessor Achtung Baby, it takes a bit more effort and careful listening to get into it. But it is all the more spirited and ultimately overwhelming for that.
So here is the result – just out today: GRACE BREAKS INTO A SOUND. I know lots of bods have done this, and it feels rather late in the day (esp since things are evolving all the time with the songs on tour) – but that’s life. What particularly struck me was the album’s structure, which is not something people often think about. But the most profound thing about the album is the theological oxygen that it breathes (and breathing is wonderful central metaphor of the album). There are lots of things about it that i wondered about saying on the musical side – but this is primarily but not exclusively an engagement with it lyrically.
Oh and while we’re on matters cultural, Ally Gordon has done a fine piece for EA’s Slipstream on ART FOR THE GLORY OF GOD – he even manages to find an excuse to give a nod to Bono’s intro to the Psalms!