A Credal Hallelujah
To some (especially Canadians), this is sacrilege. And I’ve definitely got issues about tampering with genius (as I hope you have). Christians especially waste far too much time aping the world’s creativity and consequently only produce derivative pap. I particularly struggle with the tendency to add holy words to populist melodies (eg the Eastenders or Match of the Day signature tunes). Grghghh.
However, every now and then something surprises. Leonard Cohen’s titanic Hallelujah should by rights be left totally alone (especially by Simon Cowell). And it does deal with some pretty interesting themes – David & Bathsheba, Samson & Delilah. They’re even biblical, after all.
But one of this year’s apprentices working with the youth at All Souls, Rhys Owens, came up with his own rewrite to tell the gospel story, a kind of contemporary Philippians 2. We had a fantastic time on Sunday at our All-Age Christmas service, which had the theme of Christmas Around the World. Accompanied by an all-age band, we sang or heard songs in Malay, German & Slovak, Luganda and Zulu as well as English, had readings in English and Mandarin, and Christmas greetings in the above languages plus Spanish, Russian and Welsh. But a highlight was Rhys singing his Hallelujah (photo above). It was a brilliant job – impressive for 9.30 in the morning.
Particularly powerful was the way Rhys clearly sensed the song’s musical progression, managing to match his words and themes to the effortless crescendos and dynamics of the music (the fourth, the fifth, the minor fall, and the major lift). Sing it and you’ll get the idea…
It won’t be to everyone’s taste, of course. But that’s irrelevant. I give it 10/10 for effort and effectiveness.