If the last Q combo was a chronological mismatch of artist and poet, this one is seasonal. Today’s still been pretty warm for a British September day, so it’s perhaps rather incongruous to be thinking about winter. But a dear friend and colleague, Jennifer, sent me this all too brief poem last week, and so I felt it was a perfect combo contender.
So here are all this week’s Black Dog posts linked in one place…
William Nicholson wrote Shadowlands, the play (which became the film) inspired by C.S.Lewis’s extraordinary testimony A Grief Observed. In it, he gave Lewis this lovely line, one he never actually uttered, but may as well have done.
We read to know we’re not alone
I’m glad. In fact, if you didn’t, I’d be quite concerned for you! But be warned. This isn’t for the faint-hearted. It will try your patience and frustrate your sympathies. You’ll definitely have days when you’ve had enough. Perhaps months. So you’ll shrug that you did everything you could but to no avail. [There are only so many hours in a day, and you’ve got your own issues.] So you’ll assume it needs someone else to take up the baton. If that’s the case, then may I make a gentle plea with you? Don’t get involved in the first place… Read more
So here’s the 3rd Q Combination. I don’t know how well known these two geniuses are beyond British shores – but they are true 20th Century greats. In their different ways, both articulate a deeply earthy, incarnated spirituality. Read more
So where does it all lead? Well, that’s precisely the problem. It can often feel like the road down has only one conclusion. Or perhaps terminus is the better description. Which is a terrifying thought. Not to mention taboo… Read more
The thing about volcanoes is that they’re as immovable as mountains. Rock solid in fact. But of course that’s the deception of appearances. And in geological terms, they’re savage beasts, easily provoked to ire by invisible tectonic interference.
It probably seems a totally incongruous metaphor for the Black Dog – but probably only to those whom he’s never pursued. Because there is something so irrational, so mysterious, so dark even about so-called depression that it is as destabilising as a major geological event. Read more
If you’re from a certain corner of the global harvest field that is the church, then Charles Haddon Spurgeon will be a familiar, if not revered, name. The ‘prince of preachers’ (as he was known) was perhaps the world’s first megapastor – but the wonderful thing about him was that it never went to his head, he wasn’t corrupt, he was a character of whom it could certainly be said that ‘what you see is what you get.’ A far cry, in other words, from the smooth-talking, chiseled and attractive megapastors of today. Read more
I was asked by the fab 40Acts team over at Stewardship to contribute a short piece for their Do Lent Generously campaign – which is a creatively positive twist on the standard give-up-something-for-Lent routine.
We could call them the ‘pastor’s power pitfalls.’ There are many. Too many. It’s actually scary how much power a pastor wields – for good… and ill. It’s one of the key issues that has preoccupied me a lot about in the last few years while writing my culture of suspicion book (out VERY soon at all GOOD bookshops!). And I’ve witnessed (and struggled) under power-trip pastors. The worst thing, though, is how blissfully unaware they are of it. As one friend said of a church boss he struggled under for several years, “he’s like a drunk driver who never looks in the rear-view mirror.” Read more
Depression isolates and introverts. It’s a brutally vicious circle. And so when one occasionally gets swept up by outbreaks of energy, they are often focused on desperately trying to make connections beyond oneself. It might be music; it might be a conversation with someone who gets it with minimal explanation; it might be words on a page. I love that line from Shadowlands, William Nicholson’s TV play (turned into a stage play and then feature film) about C. S. Lewis’s grief for his late wife Joy (though bear in mind that the film really misses a lot of the theological nuance of the play, inevitably): Read more
At last year’s launch of veteran travel writer Dervla Murphy’s remarkable book, A Month by the Sea – Encounters in Gaza, she made a simple but telling point. “The Palestinians’ predicament is that they are the victims’ victims”. Of course, in Faith in the Face of Empire, an equally remarkable book by a Palestinian Christian pastor, victimhood (despite its postmodern attractions) is a dangerous mantle. Read more
U2 can be pretty shocking. If you’ve followed social media recently, you’ll know they’ve caused global offence by giving away their Songs of Innocence album for free (oh, and a nice tidy cheque from Apple for $100 million). I do think that the sum is pretty obnoxious. There’s no way that anyone needs that kind of cash, least of all the world’s most successful band in history (more or less). I’d say it represents, at the very least, a rather grim error of judgment. I have enjoyed some of the memes that this has provoked, though (esp Who is U2 anyway?). But even though that all now seems rather an inadvertent PR disaster, the album contains some genuine shocks which are clearly more artfully deliberate.
So I’ve been pondering a lot on the fact that Bono has called Songs of Innocence a personal album. Here he is in Rolling Stone last week:
“We wanted to make a very personal album,” Bono told Rolling Stone‘s Gus Wenner the day before the press conference in an exclusive interview. “Let’s try to figure out why we wanted to be in a band, the relationships around the band, our friendships, our lovers, our family. The whole album is first journeys — first journeys geographically, spiritually, sexually. And that’s hard. But we went there.”
To be opaque is to be beguiling, provocative. You need to be hooked, of course. But once I’m hooked, I never want everything on a plate. I want to be made to work a little. It is one of the most compelling things about U2’s songs. Read more
Rachel Kelly is spot on: “But in the end, depression doesn’t follow rules: it is a devil that comes in many guises.” (Black Rainbow, p231) So there is a sense in which her experiences of depression (two highly debilitating and bewildering attacks and the subsequent need to manage it) will inevitably be unique. But her new Black Rainbow is remarkable: for it is no misery memoir but an act of generosity. In making herself vulnerable through talking so openly about facing and working through deeply personal pains, she has offered nothing less than a gift of grace. For in the midst of the bleak, black, barrenness of depression, she has found a path through. For those of us perhaps further back along the road, this is a germ of hope.
This is the first of what I hope will be a regular posting. Yesterday, I was able to chat on the phone with a pastor friend in Aleppo in Syria. He is the pastor of a community that has witnessed in the city for over 150 years. But Aleppo is on the front line of the appalling conflict in Syria (as this helpful, interactive map demonstrates).
It was remarkable to be able to chat with almost crystal clear clarity, even if for only a few minutes – despite the fact that he lives with his family right in the heart of a war zone. Read more
A VERY HAPPY CHRISTMAS
to all Q readers
and a wonderful 2014 Read more
I was in Cambridge for a few days speaking for some events that took place far too late at night for me (carol services at 10pm!!). So naturally, my mind wandered from time to time while the shepherds were watching. And my gaze settled on this memorial which was just above my head. It looks like any other, and is quite wordy. But those words definitely bear close reading. For this particular plaque testified to something far greater than the usual pieties of such things. Read more